I’ve been having a three month break from freelancing recently while I took time out from my busy life to write a novel! It’s been a really different kind of project to the ones I am used to but really enjoyable! I am currently running an online focus group to try and get the first three chapters finely tuned enough to send off to Literary Agencies. If you’d like to get involved with this please visit this link.
I am still completing pre-ordered Christmas commissions at the moment and will be opening my lists again in the new year for new work. If you have an idea of something you would like making please don’t hesitate to contact me. I’ll have a new studio before Easter time so hopefully will be able to expand on the amount of work I can complete and the wait lists won’t be so tight.
Wishing all a Merry Christmas and Happy New Year!!
I always think of August as a month for action and adventure. The days are long, the weather is mild, the evenings are warm and the mind and body can wander with ease. Adventure is a wonderful thing. I’m off to the Brecons in Wales for a walking adventure this weekend. What does adventure really mean though in art?
“A work of art is above all an adventure of the mind”
This is a quote by French-Romanian Playwright and author
Eugène Ionesco in his discussion on the purpose of art and theatre.  He describes how through the exploration of the human imagination can bring to life imaginary constructs that otherwise
would have no purpose in the real world. Through art we create a whole new world, a world which doesn’t ever need to exist but nevertheless does come to exist through the act of making.
Eugène suggests that making art and theatre the creation of art seems to stem from an adventure which happens alone in the mind. I would have to disagree however and instead consider art making as a process which can combine or involve all three faculties; that of the mind, the body and the spirit.
Let’s consider two quite different works of art in relation to this idea. The first is Frida Kahlo’s –‘Self-portrait with Monkey’, 1938 . The second is Jackson Pollock’s ‘Autumn Rhythm (number 30)’, 1950 .
There is physical adventure in the making; in Pollock’s case this was an exploration of free movement and open gestures; Frida Kahlo on the other hand practiced a more precise method of painting. There is clear evidence of a journey made mentally by the artists as they worked: one occupying the dimensions of the canvas to portray a sense of culture and statement about the subject of the self-portrait; the other defying boundaries and conventional representation to communicate expression of thought and feeling. Finally, there is a touch of the spiritual that can be seen in the creation of these works a sense of deep feeling and emotion which leaves the work open to interpretation by the viewer.
By no means do I believe however that all three paths of wondering through art making are present in each artwork. Every artist’s creative journey is a unique one and some may favour some modes of adventuring than others. I personally, in my practice, tend to prefer to find a balance between the three but occasionally will spend longer going in one direction than another. An adventure is an adventure though, however far you go and whichever way you wonder, there’s bound to be rewards a plenty.